Critical Investigation Final
“She got into
the tub, still with her clothes on, slit her wrists…and bled to death.” – 13
Reasons Why
How does
"13 Reasons Why" represent mental health issues and can it be argued
that it glorifies suicide?
There have been many debates over the representation
of suicide in the media and its ambiguous meanings and messages that it
presents to the audience. Inevitably there is always controversy over
displaying explicit scenes in film and TV. The Netflix series "13 Reasons
Why”(2017) created by Brian Yorkey, is a teen drama
about Hannah, a high school student who commits suicide after being mistreated
by the people in her school. The show follows the stories of thirteen people
who contributed to the death of Hannah, who she sends tapes to, which explain
how they have had an impact on her. In the last episode, Hannah's suicide is
explicitly shown to the audience to inform them about how suicide is a major
issue in today's society. However, there have been many debates regarding the
show's use of explicit scenes, as some have argued that the series in fact
glorifies suicide and makes it seem desirable, especially to a younger
audience. Furthermore, it “ignores
the relationship between suicide and the mental illness that often accompanies
it.”[1] The suicide scene,
which depicts Hannah cutting herself with a razor blade, was “gratuitous”[2]
to some viewers who explained that it is one of the “harmful”[3]
awareness campaigns.
This significant issue was explored in the 80’s cult
classic "The Breakfast Club"(1985), where we could argue that the
theme of suicide was not taken as seriously as more recent films and TV shows.
This touches upon the idea that society has become more emotionally literate
about sensitive issues such as suicide and mental health. Additionally, other
films such as "Elephant" (2003) and "Bowling for Columbine"
(2002), explore the relationship between mental health and high school
shootings. This is also another important debate as it explores the issue of
mental health amongst teenagers and how it can have an impact on their
behaviour. The impact of new and digital media has also contributed to the
effects that media has on various audiences. Technological convergence enables
audiences to watch content on various devices such as a smartphone, tablet, and
laptop. This therefore encourages them to easily access shows that are “intellectually
stimulating”[4].
This essay will explore the representation of mental health and the
glorification of suicide in “13 Reasons Why” and the media.
“13 Reasons Why” is based on the novel of the same
name written by Jay Asher, and was distributed by “global entertainment
superpower”[5]
Netflix, which has become increasingly popular in the last few years. Netflix
is “available in over 190 countries”[6] and has
revenue of “$8.83 billion”[7]
You could argue that the availability of the show on Netflix makes it
susceptible to controversy, and therefore influences the impact it has on
audiences. The depiction of suicide in the bathtub suicide scene is quite explicit
and raises question about the glorification of such an issue in a show targeted
mostly towards a particularly young demographic. At the beginning of the scene we hear Clay's
voice narrating the events that unfolded, the day Hannah decided to commit
suicide - "...she went back home, put on some old clothes"[8].
She turns the bathroom tap on and picks us a "box of razor blades that she
got from her parent’s store"[9]. A close up is used to show her
expressionless face, which creates a sense of identification and makes the
audience feel guilty, as she looks straight into the camera in a direct mode of
address. Her pale skin and short hair makes her appear quite lifeless and
doll-like, which foreshadows her death. We can also see that she is quite
hesitant as she takes her time to come to grips with the situation - this is
shown by the way she sits in the bathtub for a while before using the
blade. She then
proceeds to slit her wrists with the blade and cries out in pain. With her
whole body quivering she lays in the bathtub until she bleeds to death. The
simplistic action codes in the scene compared to the overall impact of
the scene is quite effective and makes the viewer feel quite distressed and
uncomfortable. This “sensationalised portrayal of a 17
year old’s suicide”[10]
therefore brought up the question of why they chose to depict the suicide in an
explicit way and whether it was acceptable for young audiences. More
specifically the issue of imitation was a serious concern amongst critics as
the scene is almost instructional and suggests that the act of committing
suicide is the “result of clear headed thinking” [11]
The scene is
essentially a culmination of all the mistreatment she has received in her life.
Her body language and facial expressions change throughout the scene and
reflect her attitude towards her experiences. When she begins to cut herself
she starts to groan/cry out in pain, and then slowly begins to breathe at a
steady rate and lie down in the bathtub. This transition could possibly mimic the
process in which she receives mistreatment - at first she is upset or affected
badly by the situation, but ends up suppressing her emotions. Ultimately, her
death is portrayed as “an act that will achieve something”[12], hence proving that the glorification of such a
horrifying scene can have a direct influence on a teenager that might watch the
show. It also shows the audience a number of ways in which someone can be
affected by bullying or harassment and how that can impact their mental health.
The scene uses high key lighting and allows the viewer to see the severity of
her cuts, which makes the scene difficult to watch. Medium long shots of
the bathtub are used to show the setting clearly and allow the viewer to
perceive the bathtub as her resting place/coffin. It only follows the
story of one person and essentially “stereotypes”[13] victims
of suicide/ depression. This links to Dyer’s theory of how “those with power
stereotype the less powerful”[14],
as teen dramas always portray the youth as vulnerable people, who are incapable
of dealing with their own problems. This could have possibly been done to fit
the dominant ideology of these ''troubled''[15]
teenagers and meet the social needs of the
older generation, by convincing them that suicide is a significant issue in
today’s society and that parents should be wary of the dangers that students
face in school such as bullying. The media has created a “demonised”[16]
faction that is constantly associated with crime and anti-social behaviour. A
majority of British tabloids, such as “The Sun, The Mirror”[17],
and “The Daily Mail”, provide a negative representation of young people with
“three in four articles (71%)…having a negative tone”. The media coverage of the 2011 UK Riots perfectly
illustrate how “deviance amplification”[18]
of anti-social activities leads to the lasting moral panics that are embedded
within society.
There’s no doubt that
the show received a lot of criticism due to the representation of suicide and
mental health as it is a very sensitive subject and not always seen explicitly
in teen dramas. However, themes such as bullying and depression have always been
explored within the genre to portray some of the issues students face during
high school, which could lead to mental health issues. The hallway scene in “13
Reasons Why” explores the issue of different social groups in high school and
how some students are made to feel inferior.
The outfits of the new exchange students show the various personalities
of each character in the school. This iconography is common in most teen
dramas that are set in high school as the characters appearance determines
what kind of person they are. For example, Courtney's character wears
smart-casual attire; this is because she is a member of the "honour
board"[19]
and other academic clubs. Next, Clay goes on to introduce two of the main
characters of the show, Justin Foley and Zack Dempsey. Clay introduces
them as the ones that "own the school"[20]-
which hints at their significant role in Hannah's suicide. As the popular boys
of the school, their superior status is challenged by Clay, an average student,
who is portrayed as the protagonist in this scene. This fits in with the
dominant ideology of teen dramas as the popular students are always seen as the
stuck up and intimidating group, whereas in this clip, Clay stands up for what
he believes in an makes an intense speech about the topic of suicide. The
clip demonstrates how students in high school are made to think that they are
insignificant and inferior, which could lead them to depression.
“The Breakfast Club”
(1985), directed by John Hughes, is also a teen drama that explores the issue
of mental health amongst teenagers and how it can influence their behaviour.
The group therapy scene, demonstrates how these problems can cause teens to
have suicidal thoughts. In the scene we see the characters sitting down on the
floor, and talking to one another about how they ended up in detention. In the
scene we see a medium close up of Brian laying down on the floor, crying, as he
tells the rest of the group why he got into trouble. He explains that one of
the teachers "found a gun"[21]
in his locker and claims that "he tried...”[22]
He goes on to explain that he tried to kill himself due to his bad grades and
says that he "can't get an F..."[23]
and that he knows his parents "can’t have it"[24].
The medium long shot of the whole group sitting on the floor shows the
characters remaining listening to Brian and trying to help him with his
problem, with one female character saying that "killing yourself is not an
option"[25].
Brian immediately responds with a louder tine saying " Well, I didn't do
it did I."[26]
This shows that he is quite defensive and that he wants to change the topic of
the conversation. He then smacks the chair beside him, a “proairetic code”[27],
which shows his frustration. The film doesn’t explicitly mention suicide but
instead explains one of the ways the person tried to kill themselves. It is
said that “77%” of those who have attempted suicide, “reported getting their
information on methods…from the movies.”[28]
The fact that audiences can sympathise with the suicidal
character is a concern as it might cause them to believe that taking their life
is also an option.
The scene touches upon
the theme of parental pressure and what it can do to teenagers. This links to
the theme of mental health amongst teens, as pressure from parents, and strict
parenting can have a significant effect on a teen's behaviour. In “13 Reasons
Why” the reasons for Hannah's death did not necessarily link to parental
pressure, but instead peer pressure (from the people in her school). This is
what drove her to her death as she could not handle the unfair treatment she
got from her peers. In this scene, we see that Brian, although he did not
actually kill himself, has been affected by his parent’s views towards his
grades. Both texts have similar iconography e.g a high school setting
and "social groups". However the main difference would be that “13
Reasons Why” deals with issues amongst teens more explicitly and directly
address the theme of suicide and mental health. This therefore shows us
that there are fewer stigmas regarding suicide and audiences are more
sympathetic towards those with mental health problems in today’s society. It
can also be argued that mental health is more of a “social problem”[29]
due to the pressure that the youth are put under.
After releasing all
thirteen episodes of the series, the producers of “13 Reasons Why”, decided to
also release a follow up documentary, entitle “Beyond the Reasons”(2017) in
which they “discuss scenes dealing with difficult issues, including bullying,
depression and sexual assault.” [30].
Since most of the criticism towards the
show was aimed at the portrayal of Hannah’s character and her suicide, the
documentary essentially focused on, what one user claimed, “the emotional state
of the central character and what goes on in her mind”[31]. However the
documentary also received a lot of backlash as they did not understand why the
character was uninterested in receiving help from others. One of the reviews
state that it was "extremely shallow and nothing beyond the reasons…”[32] It can be argued that the documentary however was
just reinforcing the views expressed in the show rather than reproducing it to
reflect reality- this in turn gives them “a voice of their own”[33]. The show also seemed to provoke schools as some were
forced to send out letters regarding the glorification of suicide in the show.
One headteacher claimed that the show did not provide any solutions for
Hannah’s problems and that there was a “lack of mental health resources that
were available to her.” [34]
More importantly the show portrayed the hegemonic view of mental health,
especially amongst teenagers - it is seen as “teenage angst”[35] rather than a real
problem. The show also brings about the
issue of how audiences can be influenced by what they see on screen. By showing
someone committing suicide, the “dominant meaning”[36]
of the scene would be that suicide is a “viable”[37]
solution to their mental health issues and depression. The vast amount of
explicit scenes in the show (especially for a teen drama) is one of the reasons
why the show raised “significant concerns about…emotional safety”[38].
The exposure to scenes such as rape, suicide, and violence, leads to audiences
finding that sort of behaviour acceptable in the real world. With the rise
in suicide rates over the years, the issue with helping those with poor mental
health is an increasingly difficult issue as “moral panics” arise when “society
has not been able to adapt to dramatic changes”[39].
The representation of women in the media
also links to mental health as the topic of body image and peer pressure have
influenced the way in which young girls feel about their appearance, which is
another cause of anxiety and depression amongst teens. In a recent NHS report,
it is stated that “the number of times a girl aged 17 or under has been
admitted to hospital in England because of self-harm has jumped from 10,500 to more than 17,500 a year
over the past decade.” [40]In the second episode Hannah
is “sexually objectified in a class poll”[41],
where she is labelled with the “best ass”[42].
This harassment escalates and ends up with her being raped by her classmate in
a later episode. Therefore the objectification of women, a key theme recurring
throughout the series is not explored thoroughly enough to inform audiences of
the effects it can have on a woman’s mental health. Traditionally, women’s magazines emphasised
the need for the “perfect body” which is “damaging to women's physical
and psychological well being”[43],
however in today’s society it is said that “journalists are sensitive to the subject
of mental health and pursue an "anti-stigma agenda"[44].
This change in attitudes to mental health, especially in relation to the body
image of a woman and teen behaviour, reflects the zeitgeist in society as
movements such as Feminism are redefining women’s expectations.
Furthermore, various audiences may
interpret the key messages of the show in a different way. Older and mature
audience members may use the show for “information”[45]
whilst younger audiences may see the show as a form of “entertainment”[46]
- which diverts them from the real meaning of suicide being an
unacceptable choice for victims of mental health issues. The “rapid
globalisation”[47]
of Netflix is also an issue that links to the way in which audiences are
influenced and affected by the myriad of content available. Technological
convergence allows audiences to watch the show on several devices e.g their
mobile phone, laptop or tablet. This enhances the show’s accessibility and
encourages users to “binge watch”[48]
the show. This is turn could influence the way in which they see suicide as
they become “desensitised”[49]
to the issue. However with this in mind, you could argue that portraying
suicide in such an explicit manner was necessary for the show to explore mental
health amongst teenagers as it would not have had a significant impact on the
audience if she resolved her issues. The shock of witnessing the character’s
death therefore explored the issue of mistreatment in itself and teaches
audiences about the ways in which teenagers can be affected several issues at
school. Interestingly enough, the effects of binge watching on the viewer’s
mental health also correlates with the themes explored in the show. Research
carried out by the University of Southern California shows that “binge-watchers report higher
levels of loneliness and depression” [50]
although one benefit of binge-watching would be that it’s “helpful in social
interactions”[51].
This therefore brings up the issue of whether or not watching shows like “13
Reasons Why” are in fact “informative”[52],
and allow you to discuss important issues or whether it is worsening the mental
health issue by exposing the youth to more media that influences their state of
mind.
Recently, there have been many debates
about mental health in the UK and the availability of mental health services
especially due to the lack of funding for the NHS. In a report on mental health
in the UK, it is estimated that “1 in 6 people in the past week experienced a
common mental health problem".[53] More
specifically “in 2016 5,668 suicides were recorded in Great Britain. Of
these, 75% were male and 25% were female". [54] Recently,
the topic of male suicides and mental health has been a significant theme explored
by various institutions. In March 2018, ITV showed its support for the issue by
“promoting the Project 84 campaign launched by the charity CALM (Campaign
Against Living Miserably)”[55].
On top of the ITV buildings, 84 “harrowing”[56]
statues appeared standing on the edge wearing masks to cover their face. They
chose to present this to the public as “every single week in the UK, 84 men
take their own lives.” The fact that the
charity chose to display the statues as if they were about to commit suicide, just
goes to show that the extremities of mental health need to be uncovered for
people to be aware and informed. Presenters of ITV’S “This Morning”, Phillip
Schofield and Holly Willoughby, claimed that the project stop people in their tracks, make them pay
attention and get them talking.”[57] Similarly, in “13 Reasons Why”, the portrayal of
Hannah’s suicide was necessary for audiences to understand how significant the
issue is.
Another issue relating to the topic of
mental health is high school shootings. The film “Elephant” (2003) directed by
Gus Van Sant, was based on the 1999 Columbine school massacre and follows the
events leading up to a school shooting. One of the quotes from the film
highlight the issue of bullying and mental health as one of the characters says
“Some heavy shit's going down!" and “the next kids that come up to you
with their problems... that they're being picked on, you should listen to
them...”[58]
. This reflects the attitude of Hannah’s character in “13 Reasons Why” as she
often claims that no one cared about her until she committed suicide. This
suggests that the act of talking about mental health issues is vital in high
schools as it allows victims to find solutions to their problems, which could
worsen with time. Similarly, a documentary entitled “Bowling for Columbine”
(2002) also explores the relationship between mental health and school
shootings with a quote from Michael Moore, the director that states that “Our
children get turned into little monsters, but who's to blame?”[59]
This brings about the issue of the portrayal of violence and mental health in
the media and how the youth are demonised. If we fail to acknowledge the fact
that older members of society are responsible for helping the youth overcome
these issues, then it only worsens the actions of “troubled”[60]
teenagers make in the future.
In conclusion, the series “13 Reasons Why”
represented mental health issues throughout the narrative through the actions
of the protagonist, Hannah Baker, and chose to present a “sensationalised”[61]
suicide, in order to inform audiences of
the existing issues that affect teenagers in today’s society. The depictions of
mental health (in “13 Reasons Why”) is devoid of "...any social
responsibility to present more balanced or accurate representations of mental
ill health..."[62]
However, the impact of the show would have been minimal if her suicide was not
portrayed explicitly, and she resolved her issues. Essentially, the shock of
seeing her suicide as a result of certain circumstances audiences are
encouraged to help those who could be affected by similar issues such as
depression. Throughout the show, Hannah’s character makes various remarks that
suggest that it was her duty to teach the people in her school, not to bully or
push someone to commit suicide. She claims that “unlike old age and cancer, no
one anticipates suicide”[63].
This therefore proves that Hannah herself voluntarily chose to be the victim of
a tragedy, which would soon teach everyone about the effects of mental health
on a young person. The fact that the act is not “anticipated” leads us all to
reconsider our actions, after seeing the shocking effects it has on victims of
bullying and discrimination. In today’s society, we have become more aware of
the issue of mental health and are therefore why some films/shows decide to
explore sensitive issues in their narratives.
Bibliography
Works
Cited
Books
Barthes, R. (1974). S/Z/ Roland
Barthes. Retrieved from https://monoskop.org/images/d/d6/Barthes_Roland_S-Z_2002.pdf
Blumler, J. G., & Katz, E. (1974). The
Uses of mass communications: Current perspectives on gratifications research.
Beverly Hills: Sage Publications.
Cohen, S. (1972).
Folk devils and moral panics. London: MacGibbon and Kee.
Guosong Shao, (2009) “Understanding the appeal of user- generated
media: a uses and gratification perspective”, Internet Research, Vol. 19 Iss:1,
pp 7-25
Hall, S. (1973). Encoding and Decoding in the Television Discourse:
Paper for Council of Europe Colloquy on Training in the Critical Reading of
Televisual Language". Birmingham.
Hall, S., Evans, J., & Nixon, S. (2013). Representation /
edited by Stuart Hall, Jessie Evans and Sean Nixon. London: Sage Publications.
Harper, S. (2009). Madness,
power and the media: class, gender and race in popular representations of
mental distress. Basingstoke: Palgrave Macmillan.
Meyer, P. (2009). The Vanishing Newspaper: Saving Journalism in the
Information Age (Second ed.). Columbia: University of Missouri Press.
Philo, G. (1996). Media and
mental distress. London: Longman
Journals
Dhingra, K. (2017). Popular
Netflix drama 13 Reasons Why sends out worrying messages about suicide- [PDF
]. Leeds: Leeds Beckett University.
Niederkrotenthaler, T., & Stack, S.
(2017). Media and suicide:
international perspectives on research, theory, and policy. New Brunswick:
Transaction .
Waiton, S. (2006). A moral Panic: The
Construction of 'Antisocial Behaviour' and the Institutionalisation of
Vulnerability. Revisiting Moral Panics, 49-58.
doi:10.1332/policypress/9781447321859.003.0005
Welch, M., Price, E. A., & Yankey, N.
(2002). Moral Panic Over Youth Violence: Wilding and the Manufacture of Menace
in the Media. Youth & Society, 34(1), 3-30
Online
Articles/Websites
Acevedo, Y. (2017). ’13 Reasons Why’ Documentary
‘Beyond The Reasons:’ Watch the Cast Discuss the Show’s Tough Issues. [Blog] IndieWire. Available at:
http://www.indiewire.com/2017/05/13-reasons-why-netflix-video-rape-suicide-controversy-1201812693/
[Accessed 9 Jan. 2018].
Barr, S. (2018, March 27). ITV unveils sculptures
raising awareness around male suicide on top of buildings. Retrieved from
https://www.independent.co.uk/life-style/health-and-families/itv-male-suicide-awareness-sculptures-building-roof-mental-health-project-84-calm-a8274326.html
Barrett, B. (2016, January 13). Netflix Isnt Made for
the US Anymore-Its for the Whole World. Retrieved from https://www.wired.com/2016/01/in-the-us-were-now-watching-the-worlds-netflix/
Bebbington P, McManus S, Jenkins R, Brugha T. (eds.)
(2016) Mental health and wellbeing in England: Adult Psychiatric Morbidity
Survey 2014. Leeds: NHS Digital. Available at:
http://content.digital.nhs.uk/catalogue/PUB21748/apms-2014-full-rpt.pdf
Campbell, D. (2017). Netflix show condemned for
'romanticising' teenager's suicide. The
Guardian. [online] Available at:
https://www.theguardian.com/media/2017/apr/21/netflix-13-reasons-why-condemned-for-romanticising-suicide
[Accessed 9 Jan. 2018].
Campbell, D. (2017). Stress and social media fuel
mental health crisis among girls. The
Guardian. [online] Available at:
https://www.theguardian.com/society/2017/sep/23/stress-anxiety-fuel-mental-health-crisis-girls-young-women
[Accessed 9 Jan. 2018].
Clay, J. (2017, December 15). Is Netflix bad for you?
How binge-watching could hurt your health. Retrieved from https://news.usc.edu/131981/is-netflix-bad-for-you-how-binge-watching-could-hurt-your-health-amazon-hulu-tv/
Dastagir, A. E. (2017, May 3). 13 reasons why a
conversation about rape culture is as important as one about suicide. Retrieved
from https://www.usatoday.com/story/news/2017/05/03/13-reasons-why-conversation-rape-culture-important-one-suicide/101141694/
Goldman, C. (2017, May 04). The Disturbing Reason
Teens Are Playing 13 Reasons Why on Snapchat. Retrieved from
https://www.huffingtonpost.com/entry/the-disturbing-reason-teens-are-playing-13-reasons_us_590b7edce4b046ea176ae903
Hall, G. (2017, August 29). Netflix at 20: How it went
from quirky startup to global entertainment superpower. Retrieved from https://www.bizjournals.com/sanjose/news/2017/08/29/netflix-history-timeline-20-year-reed-hastings.html
Hensley, A. (2009, August 4). 25 Super Smart TV Shows
You Can Actually Learn From. Retrieved from http://www.onlinecollegecourses.com/2009/08/04/25-super-smart-tv-shows-you-can-actually-learn-from/
Herman, L. (2017, June 19). This Is What Real Suicide
Attempt Survivors Think of "13 Reasons Why". Retrieved from
https://www.teenvogue.com/story/suicide-attempt-survivors-13-reasons-why
IMDb. (2017). 13
Reasons Why: Beyond the Reasons (TV Short 2017). [online] Available at:
http://www.imdb.com/title/tt6723582/reviews [Accessed 9 Jan. 2018].
Khasho, R. (n.d.). Is Your Teen's Angst a Sign of
Depression? Retrieved from http://www.modernwellnessguide.com/health-and-nutrition/is-your-teens-angst-a-sign-of-depression
Layard, R. (2005, September 14). Full text: Richard
Laylard's speech to the Sainsbury Centre on Mental Health. Retrieved from https://www.theguardian.com/society/2005/sep/14/mentalhealth.socialcare1
Media Image Of Young People. (2004, October 13).
Retrieved from https://www.ipsos.com/ipsos-mori/en-uk/media-image-young-people
Mental Health Foundation. (n.d.). Mental health statistics: UK and worldwide. [online] Available at:
https://www.mentalhealth.org.uk/statistics/mental-health-statistics-uk-and-worldwide
[Accessed 9 Jan. 2018].
Mental Health Foundation. (n.d.). Mental health statistics: suicide. [online] Available at:
https://www.mentalhealth.org.uk/statistics/mental-health-statistics-suicide
[Accessed 9 Jan. 2018].
Office for National Statistics (2016). Suicides in GB,
2016 Registrations- ONS. [online] Available at: https://www.ons.gov.uk/peoplepopulationandcommunity/birthsdeathsandmarriages/deaths/bulletins/suicidesintheunitedkingdom/2016registration
Page, D. (2017, November 4). What happens in your
brain when you binge-watch a TV show. Retrieved from https://www.nbcnews.com/better/health/what-happens-your-brain-when-you-binge-watch-tv-series-ncna816991
Revisionworld.com. (n.d.). Effect of Media on Audiences & Society | a2-level-level-revision,
sociology, mass-media-0, effect-media-content-audiences-society | Revision
World. [online] Available at:
https://revisionworld.com/a2-level-level-revision/sociology/mass-media-0/effect-media-content-audiences-society
[Accessed 9 Jan. 2018].
Roy, E. (2017). 13 Reasons Why: New Zealand bans
under-18s from watching suicide drama without adult. The Guardian. [online] Available at:
https://www.theguardian.com/world/2017/apr/28/13-reasons-why-new-zealand-bans-under-18s-from-watching-suicide-drama-without-adult
[Accessed 9 Jan. 2018].
Stolworthy, J. (2017). 13 Reasons Why: Schools are warning
parents about Netflix's controversial suicide drama. Independent. [online] Available at:
http://www.independent.co.uk/arts-entertainment/tv/news/13-reasons-why-netflix-drama-suicide-schools-letters-warning-parents-mental-health-groups-a7703016.html
[Accessed 9 Jan. 2018].
Williams, Z. (2017). Netflix's 13 Reasons Why and the
trouble with dramatising suicide. The
Guardian. [online] Available at:
https://www.theguardian.com/tv-and-radio/2017/apr/26/netflix-13-reasons-why-suicide
[Accessed 9 Jan. 2018].
Annual Report. (2017). Shareholder Letter. [online]
Netflix. Available at:
http://files.shareholder.com/downloads/NFLX/3688598571x0x924415/A5ACACF9-9C17-44E6-B74A-628CE049C1B0/Q416ShareholderLetter.pdf
[Accessed 9 Jan. 2018].
Help Center. (2018). Where is Netflix available?. [online] Available at:
https://help.netflix.com/en/node/14164 [Accessed 9 Jan. 2018].
Moving
Image Texts
13 Reasons
Why (USA, 2017, Netflix, Television)
The Breakfast
Club (USA, 1985, Universal Pictures,
dir.: John Hughes)
Elephant (USA, 2003, HBO Films, dir.: Gus Van Sant)
Bowling for
Columbine (USA, 2002, United Artists,
dir.: Michael Moore)
Works
Consulted
Books
Bell, A., Joyce, M., & Rivers, D.
(2001). Advanced level media. London: Hodder & Stoughton.
Bignell, J. (2008). An Introduction to
Television Studies. London: Routledge.
Curran, J., & Gurevitch, M. (2005).
Mass media and society. London: Hodder Education.
Freedman, D. (2015). The contradictions of
media power. London: Bloomsbury Academic.
Hartley, J. (2011). Communication,
cultural and media studies: the key concepts. Abingdon, Oxon: Routledge.
Hall, S. (2013). Representation: cultural
representations and signifying practices. Milton Keynes: Los Angeles, Calif.
Jenkins, H. (2008). Convergence culture:
where old and new media collide. New York: New York University Press.
Journals
Gould, M. S. (2006). Suicide and the Media. Annals of the
New York Academy of Sciences, 932(1), 200-224.
doi:10.1111/j.1749-6632.2001.tb05807.x
Polanczyk, G. V. (2017). Many reasons to talk about suicide.
Revista da Associação Médica Brasileira, 63(7), 557-558.
doi:10.1590/1806-9282.63.07.557
J., & B. (1970, January
01). Making Connections during Transactional Discussions: Adolescents Empathic
Responses to Thirteen Reasons Why. Retrieved November 28, 2017, from
http://scholar.lib.vt.edu/ejournals/ALAN/v42n1/chisholm.html
Online
Articles/ Websites
Effect of Media on Audiences &
Society. (n.d.). Retrieved November 28, 2017, from https://revisionworld.com/a2-level-level-revision/sociology/mass-media-0/effect-media-content-audiences-society
Huggler, J. (2017, May 22). Netflix drama
'13 Reasons Why' blamed for inspiring teen girls' attempted suicide. Retrieved
November 28, 2017, from
http://www.telegraph.co.uk/news/2017/05/22/netflix-drama-13-reasons-blamed-inspiring-teen-girls-attempted/
Interpersonal Communication and Relations
| Contagion Theories. (n.d.). Retrieved November 28, 2017, from
https://www.utwente.nl/en/bms/communication-theories/sorted-by-cluster/Interpersonal%20Communication%20and%20Relations/Contagion_theories/
Mass Media | Hypodermic Needle Theory.
(n.d.). Retrieved November 28, 2017, from
https://www.utwente.nl/en/bms/communication-theories/sorted-by-cluster/Mass%20Media/Hypodermic_Needle_Theory/
Mass Media | Uses and Gratifications
Approach. (n.d.). Retrieved November 28, 2017, from
https://www.utwente.nl/en/bms/communication-theories/sorted-by-cluster/Mass%20Media/Uses_and_Gratifications_Approach/
Nicholson, R. (2017, March 31). 13 Reasons
Why review – sex, drugs and mixtapes in Netflixs high-school horror show.
Retrieved November 28, 2017, from https://www.theguardian.com/tv-and-radio/2017/mar/31/13-reasons-why-review-sex-drugs-and-mixtapes-in-netflix-high-school-horror-show
[1] Roy, E. A. (2017)
[2]
Herman, L. (2017)
[3] ibid
[4]
Hensley, A. (2004)
[5]
Hall, G. (2017)
[6] Netflix, (2017)
[7] Annual Report, (2017)
[8] 13 Reasons Why (2017)
[9] ibid
[10] Campbell, D. (2017)
[11] Roy, E. A. (2017)
[12] Williams, Z. (2017)
[13]
Dyer, R. (1979)
[14] ibid
[15]
Campbell, D. (2017)
[16]
Welch, M. et al (2002) pg 3-30
[17] Ipsos
MORI (2004)
[18]
Cohen, S. (1972)
[19]
13 Reasons Why (2017)
[20] ibid
[21]
The Breakfast Club (1985)
[22] ibid
[23] ibid
[24] ibid
[25] ibid
[26] ibid
[27]
Barthes, R. (1974) p. 8
[29]
Layard, R. (2005)
[30] Acevedo, Y. (2017)
[31] IMDb, (2017)
[32] ibid
[33] Hall,
S. et al, (2013) pg. 100
[34] Stolworthy, J. (2017)
[35]
Khasho, R.
[36]
Hall, S. (1973) pg. 9
[37]
Dhingra, K. (2017)
[38]
Stolworthy, J. (2017)
[39] Waiton, S. (2006) pg. 19
[40] Campbell, D. (2017)
[41]
Dastagir, A. (2017)
[42]
13 Reasons Why (2017) ep 2
[43] Harper, S. (2009)
[44] ibid
[45]
Shao, G. (2009). p. 7-25
[46] ibid
[47]
Barrett, B. (2016)
[48]
Page, D. (2017)
[49]
Goldman, C. (2017)
[50]
Clay, J. (2017)
[51] ibid
[52]
Blumler, J. et al (1973)
[53] Bebbington, P. et al. (2016)
[54] Office for National Statistics (2016)
[55]
Barr, S. (2018)
[56] ibid
[57]
Barr, S. (2018)
[58] Elephant (2003)
[59] Bowling for Columbine (2002)
[60]
Campbell, D. (2017)
[61] ibid
[62]
Philo, G. (1996) p.18
[63]
13 Reasons Why (2017)
Comments
Post a Comment